Showing posts with label event marketing. Show all posts
Showing posts with label event marketing. Show all posts

Saturday, August 9, 2008

3.4 Using word of mouth marketing

Well before the consumer reaches the store there's a whole army of images that causes a customer to already have a definitive perception about the brand (Chadha and Husband 2006: 32), which is no longer simply a logo or an icon. Brands are conversations, the totality of perceptions about a product, service, or business. Simplifying a brand to the more tangible marketing communication elements that are building and supporting it, like advertising, can mean losing control and influence over brand perceptions. Word of mouth is happening anyway. People are talking about luxury products and the service level of premium companies. All activities of a company must therefore be aligned and integrated in order to gain a competitive advantage and to get positive word of mouth (Kirby 2006: 92; Kotler and Pfoertsch 2006: 298, 302; Stern and Wakabayashi 2006; Dunn and Davis: 2004). Companies are finally realizing that “the most powerful selling takes place not marketer to consumer but consumer to consumer” (Gladwell 2001).
Word of mouth marketing is defined by Nyilasy (2006) as interpersonal communication about a commercial topic with the communicators not perceived to be commercially motivated (For a more detailed definition of word-of-mouth marketing see the literature review of Nyilasy 2006: 161-184). Researchers found support for the hypothesis that word of mouth is stronger than advertising or other marketing communication forms (Nyilasy 2006: 170). It has a positive influence on brand awareness, brand evaluations (Udell 1966; Reynolds and Darden 1971; Laczniak et al. 2001), and purchase intentions (Charlett and Garland 1995). Further, it is a naturally occurring behavior of consumers that can be monitored, influenced, and accelerated. In HNWI circles, word of mouth plays an especially strong role due to the following reasons:

1) Risk of transaction. Consumers tend to seek out and listen to word of mouth more when the transaction is perceived as risky, in “high involvement” segments, meaning the product or service is higher priced, more complex, or more personally relevant (Nyilasy 2006: 175; Hugstad et al. 1987; Rogers 1995). Among HNWIs and individuals with a high income, this leads to a heavier reliance on information from sources they know—colleagues, business partners, friends and family—when it comes to purchase decisions. Higher levels of perceived risk are also one of the main characteristics of services as opposed to products. Among HNWIs the usage of services is disproportionally higher (The “services marketing theory” states that rules for marketing theory concerning the service sector are fundamentally different from the product sector, see Murray 1991).
2) Normative influence. The conformity to opinion leaders and group norms is a strong factor in the luxury segment. The more you go to the exclusive edge of the product portfolio, the more the economy is taste-driven, not performance-driven, with people relying more on word of mouth to form opinions prior to purchase. Consumers decide to buy products they like best for personal reasons, a judgement that is always subjective and influenced by their social setting (Chadha and Husband 2006: 254; Nyilasy 2006: 170; Klosterman 2006). Especially in the fashion and apparel business, word of mouth is not only a marketing tool but the main channel where the brand is discussed and evaluated. Advertising creates awareness and defines the brand's image, but in the end the consumer pays a lot of attention to the media and opinions from friends or persons they are socially interacting with (Chadha and Husband 2006: 34).
3) Social filter function. The higher the consumption level, the more you need the social network filter function. It is an efficient way of evaluating risky transactions in an economy of insecurities. As the vividness of information gathered in close interaction is more accessible than impersonal messages, receivers are more likely to use it for product judgements (Paul et al. 1991), perceiving it as being filtered by the social milieu in which the transaction is taking place. Every node in the network ultimately performs his or her own quality-control test, and, based on the results, decides whether to pass the word further. In order to get access to HNWI customers, you have to become part of their networks. The goal is to reach the most exclusive of marketing environments: personal, uncoerced communication.

These three factors do not suggest shying away from traditional forms of marketing. Keeping advertising is important, as it induces word of mouth. It provides the background for buzz-creating activity, builds awareness and a predefined image. But finally it is the buzz that consumers trust more and act on (Chadha and Husband 2006: 254). Managing it should be a part of and not a replacement for traditional marketing methods, by integrating it into a wider campaign that includes the profiling and recruitment of influential consumers (Nyilasy 2006: 175).
This “screening” of word of mouth is especially important considering the recent explosion in the use of blogs, social networking services (SNS) and other consumer generated media in line with the popularization of the internet (Nomura Research Institute 2006: Ministry of Internal Affairs and Communications data indicates that as of March 31, 2006, around 8.68 million Japanese had used a blog and 7.16 million a SNS). Further, due to the new media channels, it is now possible to screen it. As Hakuhodo puts it: “Now that word of mouth and other consumer-initiated information appearing on the Internet can have an impact on corporate brand reputation as well as product sales, advertisers are keen to acquire up-to-the-minute pictures of the CGM [consumer generated media] buzz surrounding their products and services, and to use this information in advertising promotions and product plan marketing.” (Hakuhodo 2007: 1. Tokyo—August 31, 2007—Hakuhodo has launched Topic Finder, an analysis service that traces and reports changes in corporate and brand buzz and reputation in postings on blogs and other consumer generated media [CGM], incorporating sophisticated Japanese language analysis functions). As the brand value of companies is now under the scrutiny of online communities and therefore connected to a long-term investment in authenticity, brand principles like consistency, continuity, and visibility will become much more important in the future (Rosen 2003: 93; Clegg 2005; Kotler and Pfoertsch 2006: 147, 165; Bedbury 2002: 183).

Network Hubs and opinion leaders
The identification of opinion leaders is a key element in the management of word of mouth. Affluents tend to be better connected than normal customers. But also within those better connected networks, influencers and opinion leaders are to be found, a task that is easier if you are part of the respective social environment (Rosen 2003: 138; Nyilasy 2006: 172). Rosen (2003) defines “network hubs” as active opinion leaders who are more connected and cosmopolitan, more information hungry, and more exposed to the media than other people. Identifying them can be tricky due to different priorities of social hierarchies who are dependent on the respective culture and social setting (this is especially important in Japan). To find them, an environment that enhances two-way communication and personal contact is needed, without giving potential customers the feeling that they are being marketed. In Japan, the problem is that networks are difficult to access without inside connections, and are many times not open to foreigners (See Hall 1998). The language barrier and missing social ties create the need for support by local partner companies, like the ones described in the previous section, who can provide guidance and expertise in the HNWI segment (Usui 2005; Tsuchiya 2007; Takaoka 2008).

Accelerating word of mouth
In order to accelerate buzz, approaching network-hubs that are more central in social networks can be necessary, so-called “leapfrogging.” This is possible by providing conditions that make these kind of shortcuts more likely to happen. Creating environments where customers can meet other people from remote networks helps buzz to leap from cluster to cluster. These “new combinations” (Jacobs 1929) often happen by chance, with a higher probability in dense areas of networks—trade shows, industry events, social parties—with a critical mass of influential and connected people (Rosen 2003: 127. Sometimes creating a critical mass can mean inviting less people, as in the case of the Roots Galleries of Roots and Partners. As Tatsuya Masubuchi explains, ultra-HNWIs enjoy the selected company of few individuals. It gives them a feeling of security and ease. They feel uneasy to talk about important business matters at big social gatherings. In that case, the careful selection and the relevance of the selection to their personal and business matters is important. Interview with Tatsuya Masubuchi, Tokyo, 26.08.2008). If successfully implemented, people who benefit from this constellation will associate the network with brands participating in the environment (Granovetter 1973: he found evidence that the ties farther away, not closer, were most influential. Those “weak ties” play intricately influential roles in success and business). Network-hubs often serve as a bridge between cliques and clusters in the local community, bypassing the selective filter-effect of clusters, and countering the “busy network paradox” of only being flooded by messages from existing networks (Rosen 2003: 69-70, 79, 48-51). The art in rich marketing is about reaching these opinion leaders and creating these shortcuts.

In figure 3.8 the marketing model from figure 3.7 is limited to level 3 consumers. In the model, level 2 and level 1 customers are not included in the cycle of networking. This can be disadvantageous, as the CRV (customer referral value) of a normal customer might be high enough to qualify him or her for an inclusion in the network cycle. Companies should keep a close eye on the “real” value of customers, meaning their CRV. Exactly this is why event marketing and keeping “in touch” with customers is so important. Participating in networks is a feedback instrument for companies that allows them to judge individuals on a more personal level, and is often the only way to get information on HNWIs or network-hubs.

HNWI Event Marketing
Advertising is good for maintaining and reinforcing the image, but PR should replace it “as the major communications vehicle for launching or repositioning a brand.” (Callahan and Ries 2002; see also Goddkind 2006; Rosen 2003: 145) Event marketing can create buzz topics, cause coverage in public media, and deliver a brand message that network hubs will tailor to the language of their social networks, offering a more indirect way of delivering the information. Telling stories about experiences has greater social value than telling stories about acquired possessions (Danziger 2005: 36).
Making customers feel that they are part of an insider club about something that is personally important to them, taking people behind the scenes and letting them feel engaged—all this motivates them to share their knowledge and excitement with others. The important factor is to limit the availability of the information, and releasing it gradually over time, like giving sneak previews to mega-hubs and combining it with event marketing) (Rosen 2003: 172), or nurturing close relationships with the best of customers and giving them access to limited versions, information, privileges, and concierge services (Chadha and Husband 2006: 265) as offered by the Ypsilon Group.

Such events are a place of social interaction, with an “unspoken understanding” that business is being conducted without formally constructing events with the ostensible goal of doing business (Currid 2007: 99). They have to be professionally managed experiences with individuals on the luxury company's payroll who are able to connect with the elite on a one-on-one basis, their key qualification being the extent of their social network and the ability to move in the same circles as the social elite (Chadha and Husband 2006: 256).
The art events provided by Ypsilon Group offer a good example for creating an event with social value that is considered sophisticated and attracts the right kind of HNWIs. People want to share the information that they are taking part in such a setting. During the event, brand names of client companies appear and are being consumed as part of the whole experience, helping to associate the brand with the event and the recent trend in participating in art and culture. New connections with other social networks are created, setting a scene for interaction that operates on two distinct levels: in a formal transfusion of information (the artwork, the movie premiere, the fashion show), and as a place of economic exchange for the individuals that come to the formalized event.

Thursday, August 7, 2008

Organizing events for luxury brands

After several meetings during my recent stay in Tokyo I realized that among all the companies that try to give solutions for HNWIs, the main question boils down to how to create and organize events that have many HNWIs and influential people on their guest list. As mentioned before (in section 3.4 of my paper) the quality of such events is directly dependent on the quality of its attending guests. How do you get them to come to your party? How do you make them feel comfortable and not part of a marketing campaign?
Several introduced companies (section 3.3) have HNWI databases. The question is now what kind of relationship does the service company have with them? It can range from anonomys address lists (credit card companies), over customer databases that give legitimization to establishing contact (AdComm), to HNWIs that are themselves customers of the service company (as in the case of the private concierge services of the Ypsilon Group). But what about personal contact? What better legitimizing value for inviting someone could there be than to know them directly, having met several times, maybe even done business with them? Following the argumentation by Stanley (1997: Networking with the affluent) direct contact and acquiring up to date information on HNWIs demands personal contact. There is simply no other way to get reliable data. Asking affluents for their incomes does not produce accurate results, doing business with them over several years does. As HNWIs tend to value their privacy and only trust sources that are not directly motivated by business alone, what is needed is an intermediary, an agent, someone who can convincingly claim independence and objectivity. Such a person (or an agency) could invite HNWIs, preselect them and act in the interest of both the affluents and the companies who want to do business with them.
I talked to a CEO yesterday who is offering exactly such a service. A customer database of 6500 HNWIs and ultra-HNWIs, all of them selected in a careful process over the course of 7 years. All of them can be contacted directly without making them feel uncomfortable. I will meet with him next week again and further check the reliability of the data given to me.

Wednesday, August 6, 2008

Art, Culture and Experience Shopping

Creating shopping environments, fully developed experiences and personalized services for consumers is a global trend that has come to Japan (Howard 2006). The expectations that affluent consumers have for their retail environments are increasing. The loyalty of customers is depend on the efforts made by brands to create variety and creative ways to set themselves apart from competitors. Consumers will easily switch to other retailers and brands, if they fail to invest in the creation of meaningful relationships with them (Allen and Rigby 2005; Japan Times, October 15th, 2007: Upscale saloons pamper rich: 20).
Many foreign luxury companies still have problems in adapting to the high service requirements demanded
by the Japanese and to express luxury at all levels of the product purchase process, including the aftersales experience. A brand is not only shaped by its products but also by the staff, location and promotional campaigns (Japan Times, June 23rd, 2007: Handbag entrepreneur owes success to quality, celebrities), and these are becoming more diversified in Japan. There are a lot of examples for creative ways in which both foreign and domestic brands are trying to lure consumers into their stores by refining their premium offerings and the surrounding in which to present them.

One example is an increasing translation of culture into consumer products. Cultural and intellectual engagement becomes the benchmark for consumers as displays of knowledge, connoisseurship, and education. The new consumer has an increasing interest in
arts, book purchases, and cultural consumption as these activities indicate the individual's high IQ and social consciousness. Such products appeal primarily to a rising class of affluent culture chasers, “[...] people who are very focused on having those hip luxury signifies. Owning such products signifies informed consumption.” (Currid 2007: 36; see also Scott 2000; Anterior Insight 2008; Nikkei Weekly, October 15th, 2007: 26)
Artists' unions with luxury brands are becoming increasingly common and profitable, using a different kind of celebrity, an art star, to be perceived as cutting edge. Yves Cartelle, president of Louis Vuitton remarks: “If you look at the world of art, people interested in contemporary art, they are usually interested in luxury. The bridge between the two worlds is more and more obvious.” (New York Times, November 8th, 2007, The Artist's Fall Collection)

Diesel Denim Gallery in Tokyo, Aoyama mixes avant-garde art with a selection of premium Diesel clothes. “Instead of going to sign a deal with a famous artist [...] we think that if we start from scratch and build a relationship with new upcoming talent, we can gain status.” (Japan Times, August 23rd, 2007, Staying casual in Minami-Aoyama) Other fashion luxury brands to co-opt the art world include Paul Smith (http://www.paulsmith.co.uk/personal/space-gallery/, accessed 20.01.2008. The shop is spread over 4 floors with a gallery set on the 4th Floor. In the ‘Space’ Gallery, a varied line up of British and European artist, photographers, and product designers are exhibited. See SuperFuture Online, http://www.superfuture.com/city/reviews/review.cfm?ID=309, accessed 20.01.2008), Gucci and Louis Vuitton, with its famous “The Culture of Branding” show in collaboration with the artist Murakami Takashi. Currid (2007) considers these cooperations built on the fact: “[...] underneath the glamour and frivolity of art and culture are real social and economic mechanisms [...]” (Currid 2007: xi)
Other concepts include to move a whole brand upscale, as seen in the case of Isetan, a department store targeting male customers. By lining up high-end items on the top-floor of their store in Shinjuku as though they were museum pieces, they want to attract customers. The idea proved extremely successful by adjusting the product portfolio to the middle-aged male customer who seeks to make a fashion statement (The Nikkei Weekly, November 5th, 2007, Retailer finds way into men's wallets: 20). Ace Gene started in February 2007 to polish its luxury image and achieved a big increase in its profit margins by equally moving upscale (The Nikkei Weekly, September 3rd, 2007, Sales gains of 10% are for sissies, p. 21. After opening its Hibiya flagship store, Ace Gene discontinued internet sales and stopped marketing through general merchandise stores, increasing the luxury image. Prices were raised by 25%. Domestic sales from February to June were 80% higher). Baccarat Pacific K.K., a subsidiary of a major crystal ware maker from France, has been showing rapid growth after changing its brand strategy from a producer of dish wares to a luxury brand. The brand created an environment which made the buying process more of a lifestyle experience (The branches in Marunochi and Roppongi are examples where this has been implemented. See The Nikkei Weekly, Baccarat Pacific K.K., March 26th, 2007, p. 20. Baccarat experienced a 300% sales gain from 1996 to 2006. The new strategy tried to nurture Baccarat as a luxury brand that serves many aspects of the customers' lifestyles. Some stores are now equipped with trendy bars where visitors have the opportunity to enjoy drinking with the glasses they choose. The bartenders are trained with product specific information and in the history of the brand).

The creation of flagship stores of European luxury brands started in 2001 with the $138-million La Maison Hermes and since then other luxury brands have followed the trend of engaging top architects to create spectacular shopping palaces. “Japanese refinement of the retail experience plus a general lack of attachment to old structures drives a style of shop development that has produced some of the new architectural temples of the century.” (Superfuture superguide Tokyo, online, http://supertalk.superfuture.com/supershop/superguides/superguides-tokyo.php, accessed 20.10.2008) The latest overseas brands to appear in the upscale shopping district of Ginza were Bulgari and Armani, both in November 2007. Having a presence in Tokyo is considered an important part in the image-creation and also a jumping point to other Asian luxury markets (Japan Times, October 15th, 2007, Upscale saloons pamper rich: 52).
Luxury brand online stores have created services for customers that are beyond the scope of the average shopping site on the internet. It becomes more important for luxury brands and fashion houses to improve their presence known online, leading to the emergence of a new generation of virtual Japanese shopping towns (Examples are megaseek for men/mfm, select square, zozoresort, and 109 men's net, see “Virtual Luxury”, Anterior Insight 2008. Fendi launched on September 2006 a 15 seconds Video Ad exclusively on style.com, making a step away from print advertising on billboards and in magazines. Virtual shopping itself to become the new retail medium for many high fashion and luxury brands).
Luxury companies should devise creative ways in which they can take shopping out of the usual context, giving consumers the opportunity to discover new things and experiences. In this way luxury brands are connected with emotional values of diverse consumer lifestyles by connecting with the specific 'triggers' that make a consumer's brand experience enriching and unique (The Financial Times, September 9th, 2007, What luxury means now; “Convenience Luxury”, Anterior Insight 2008; Danziger 2005: 30; Graham and Matthews 2004).